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Reviews
& Comments
"I
have spent over a year developing a show that
has yet to be performed because I’m still
putting the finishing touches on its development.
I have tried to make effects segue smoothly into
each other. I have used dramatic structure to
create rising action, build tension, and then
peak at the climax with a brief dénouement
at the end. But now I’m thinking I might
throw all of that in the trash and just do one
effect: Good Vibrations. That’s how strongly
I love this effect. It has everything I’m
looking for and accomplishes it so well.
Whether
you love or hate Shakespeare, he was one of the
world’s most brilliant playwrights and really
knew how to craft a story. I’m starting
to believe that Paul is the Shakespeare of Mentalism.
I can’t wait to see his next offering."
-
Scott Drebus, Professional Magician, USA
"The
effect is strong, the methods are simple and should
provide no trouble to any reasonably experience
magician/mentalist.
There
are so many good pieces of information within
the book that even if you never have a chance
to play such scenarios the book still provides
ample thoughts and information to help you develop
your mentalism routines to a higher level.
This
is a good and valuable addition to my library,
and I would have no problem using this on the
stage at my next available opportunity."
-
Jonathan Fielder-White, Professional Mentalist,
UK
"After
reading through the effect a 2-3 times, the full,
astonishing impact of what is being achieved here
hits you.
Mentalism
tends to be a very personal thing which it can
be difficult for those not participating in the
audience to feel a little left out. This effect
blows that theory out of the water and makes everyone
feel a connection with the effect.
I
am very, very impressed."
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Chris Jenkins, Professional Mentalist, UK
"The
effect is very powerful.
As
it will be remembered, members of the audience
were reading the thoughts of others. The thoughts
were, of course, predicted. The prediction was
not, however, made by the performer, but by another
member of the audience.
I
had not previously seen your name mentioned or
your material published, so was (hopefully understandably)
rather apprehensive when ordering the first book.
After reading through and performing both of your
books for separate audiences and individuals,
I am eagerly awaiting your next publication.
Good
Vibrations is, in a word, brilliant."
-
Harry Truman, UK
"First
of all, I love psychology behind mentalism effects.
Paul has a great knowledge of psychology and it
shows in his effects; not only in the Brook Test,
but even more in Good Vibrations.
But
this is not all. Paul explains in detail the psychology
that is used here. The principles used here are
simple ones, standards in the art of mentalism.
It is the combination of these principles that
makes the effect work in dynamite.
Paul
knows the power of words, and he used this knowledge
to make this effect work.
Brilliant,
simply brilliant. Buy it...."
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Carsten Lexa, Germany
"This
is a great effect for the stage performer.
The
Psychology and thought process that Paul has put
into this effect is significant and extremely
useful. There are many lessons in how you should
think through a situation and as a direct result
I have certainly learnt things already."
-
Steve Austen, UK
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